🏅Announcing the Winners of the Word Craft Poetry Syllabic Poetry Contest 🏅

I’m thrilled to announce the winners of the Word Craft Poetry Syllabic Poetry Contest held to honor the Summer Solstice. The theme was dreams, and the syllabic form to write was tanka prose. Many thanks to all the poets who entered this contest. Thanks for being part of our poetry community.

Last year, JulesPaige and I sponsored the first Word Weaving Poetry Journal. As promised, the royalties from the sale of the journal from 2021 went toward three prizes of $35.00 for 1st place, $25.00 for 2nd place, and $15.00 for third place paid in U.S. funds through PayPal. There was also one honorable mention the judges felt warranted recognition.

These winners will receive a blog widget to show off their poetic expertise. I hope they will link back to this post when they share the widget on their blog. I will notify the winners by email to plan for payment.

The first place winner of $35.00 is:

“Am I Dreaming,” by D. Wallace Peach

Tell me, am I dreaming? For moon-eyed owls fold their wings on the limbs outside my window, and heart-shaped stars flutter like moths beneath a tarnished silver sky. At the forest’s edge, gypsies serenade us with prayers to our bald mountain gods. I want to wake you, so we might join their song, but I drift in the between-time of a summer’s early morn. Am I dreaming? For the scent of you bathes my skin through sheets worn soft with age. Your breath dews my neck with sleeping sweetness. Will you reply if I speak your name into the shadows of our room? I’m afraid to stir lest your spirit slips away.

on the cusp of dawn
I await your soul’s embrace
drift into my dreams
balm to a widow’s sorrow
let me sleep for an hour more

Judges Comments:

With multi-sensory images, this piece maintained a sense of dreaminess from beginning to end. The beautiful prose reaches the heart while reading, with details about the narrator/narrative exquisitely and subtly revealed through the prose and the poem; “For the scent of you bathes my skin through sheets worn soft with age”; “drift into my dreams balm to a widow’s sorrow”. 

Congratulations on a moving tanka prose that is both peaceful and poignant.


The Second Place winner of $25.00 is:

“Visions of Longed For Relief,” by Ken Gierke

Upon waking, I often struggle to remember my dreams, wonder what they held, the meanings my mind assigns to them even as it places them behind a veil of mystery. But on this one night, something is different.

Classical music, a collection by Edvard Grieg that includes movements from Peer Gynt Suite, plays through the speakers in my bedroom. As the first four movements play, I dream, waking as each piece ends, aware that the tone of each dream is set by the music of that moment.

Musical notes flow through my mother’s body as I care for her to the sound of Grieg’s Piano Concerto in A minor. Waking briefly, then falling back asleep, I feel my concern for her eased by the melody of Morning Mood. I wake once again to hear the start of The Death of Asa. Lulled to sleep by the somber tones of the movement, my dream turns dark and I feel as though facing an impending doom. I wake, troubled, only to fall asleep once more, this time to the light sounds of Anitra’s Dance. It is as if light, or life perhaps, is rising up to push back the darkness that had insinuated itself.

heat reaches new heights
as sun approaches apex
breeze off the water
tempers the sun’s oppression
visions of longed-for relief

Judges Comments:

An intriguing, almost haunting tanka prose piece, there is indeed “a veil of mystery,” but “on this one night something is different.” Music and mood are intertwined and ultimately this dreaming helps the narrator realize peace as he/she takes care of their mother. They also intertwined dark and light into this piece that beautifully conveys the stress and strain and the desire for relief both caregiver and cared for must feel in this situation. It too is resolved with peace and poignancy and tells an important story while sticking to the theme of dreaming in tanka prose.


The third place winner of $15.00 is:

“Between & Beyond,” by Merril D. Smith

There are journeys beyond the boundaries of the known. Brief moments, when our minds travel to a liminal place between the worlds of what is and what might be. Here I saw my parents—young and in love. Then, I saw them older and still together, as they were not in real life. The air around them glimmered and glowed. In the way of dreams, we sensed each other. They smiled, and I woke–at peace, but wondering if it was merely a dream.

moon’s silvered secrets—
wind-strum whispers, shimmer-slide
in time between breaths
I almost hear the stars sing
chimes of possibility

Judges Comments:

“In the way of dreams…” This was another personal narrative in which a dream, vividly shared, might be more than a dream. The “moon’s silvered secrets” imply that this dream was indeed a journey “beyond the boundaries of the known”, a message of “what might be”. The pivot line is well crafted, the tanka standing strong on its own while continuing the dreamy peaceful feeling of the prose.


An Honorable Mention went to:

“Finding the Way,” by Jude Itakali

It’s drizzling this morning, like it did yesterday and the day before. I skid along the mucky path to the cyclist stage. All neighbours have abandoned it for a longer, more sure-footed way. I alone dare to pass here. In a sense, at least for now, this path is mine, and I have little of that to get on with.

not for gasp nor gaze
these wild lantanas blossom
yet ensnare senses
for scent or defiant growth
no drifter can pass aloof

In days passed, I’d moan the squelch of a favourite shoe as it sank into disguised patches of mud. I’d curse those cunning patches, for like all else in this world, they’d have betrayed me. But things are different now. I see what I could not before. I feel what I feared to feel. For I have clutched at straws my entire life, to find this dream that fits like a glove.

These dreary mornings mask the sunrise glimmering in my heart and mind. But still I skip along this path in a whimsical daze; two points for sure-footing, one less per slippy slip. Nothing will douse my spirits now. There is beauty everywhere. There is hope.

what is a soul's dance
but joy's perpetuity
the kiss of purpose
to live a hypnotic life
dreaming up reality

Judge’s Comments:

“Finding the Way” found its way to an honorable mention. Written in first person, as tanka prose should be, the theme is woven throughout, with a clear and strong conclusion in the second tanka that summarizes the narrator’s growth along their muddy path. Even with “dreary mornings (that) mask the sunrise glimmering in my heart and mind,” the tone is one of hope and dreams for the future. This entry was much discussed and we would feel remiss in not congratulating you here for your take on the theme.


Meet the Judges

D. Slayton Avery, recently retired from teaching, now works at playing with words. D. Slayton Avery’s fiction and poetry is published in a number of online and print journals and anthologies— Boston Literary Magazine, The Hopper, Enchanted Conversations, and Santa Barbara Literary Journal, among others. She is a regular contributor at Carrot Ranch Literary Community and has two books of poetry, Chicken Shift and For the Girls, and a collection of flash fiction, After Ever, Little Stories for Grown Children. D.’s prose and poetry can be sampled at https://shiftnshake.wordpress.com/.

Lisa Fox enjoys a laissez-faire lifestyle near Lake Michigan after years of government work. She’s earned a couple of pieces of paper from uni. She’s studied philosophical daoism. She currently writes poetry and flash fiction at her WordPress blog, https://tao-talk.com/. Favorite past-times are reading, writing, listening to music, gardening and observing nature for advice, bicycling, and spending time with her adult sons.

#poetryreading Poets in the Blogosphere (Recording) via ELIZABETH GAUFFREAU

I wanted to share this recording with you all to support our community poets. Elizabeth Gauffreau put this together, and it is fabulous! Ken Gierke and Merril D. Smith are all familiar names. Have a listen. The link to Liz’s blog is: https://lizgauffreau.com/2022/04/25/poetryreading-poets-in-the-blogosphere-recording/ please leave your comments there. Comments are closed. 💜

#TANKATUESDAY Weekly #POETRY CHALLENGE NO. 262, 2/22/22, #THEMEPROMPT

WELCOME TO TANKA TUESDAY!

Are you ready for a #TankaTuesday theme prompt? Ken Gierke (Rivrvlogr) from last month’s challenge picked the theme:

TRANSITIONS

Merriam-Webster has several definitions for the word transitions, found HERE.

Learning how to write poetry featuring a theme is good practice for poets who’d like to submit their poetry to journals and contests. Check out our HUGE list HERE!

How do you start? Here is a great article from the Guardian on how to write a poem on a theme:

“This year, the theme for National Poetry Day is Light. I was asked to write a poem on the subject for Light, the National Poetry Day book (download it for free). Here’s how I went about it. It’s a technique you can use for writing a poem on any theme – aliens, Hallowe’en, getting old, football, animals… anything at all.

First of all, in the middle of a large piece of paper, I wrote LIGHT… READ MORE…”

The Guardian: Poetry secrets: how to write a poem on a theme

This is an example of a mind map. This technique works well when planning out your themed poetry. Don’t forget to count those syllables!

GRAB your printable FREE PDF daily syllabic poetry journal sheet HERE

Here are some sites that will help you write your poetry and count syllables:

Not sure how to write syllabic poetry? READ THIS FIRST: How to Craft Syllabic Poetry

Tanka Tuesday Cheat Sheet

PoetsCollective.org

sodacoffee.com/syllables

synonyms.com 

thesaurus.com

Word Craft: Prose & Poetry – The Art of Crafting Syllabic Poetry

THE RULES

  • Write a poem based on the above theme using a syllabic form of your choice found on the cheat sheet OR from the Poetscollective.org using the theme above.
  • *USE sodacoffee.com/syllables to count your syllables. That way, we are all using the same syllable counter. 
  • Post it on your blog. Include a link back to the challenge in your post. (copy the https:// address of this post into your post).
  • Copy the https:// address link of your published post into the Mr. Linky below.
  • Please click the small checkbox on Mr. Linky about data protection.
  • Read and comment on some of your fellow poets’ work.
  • Like and leave a comment below if you choose to do so.

The screenshot below shows what Mr. Linky looks like inside. Add your name and the URL of your post. Click the box about the privacy policy (It’s blue). As everyone adds their links to Mr. Linky, you can view the other submissions by clicking on the Mr. Linky link on the challenge post. All the links will show in the order of posting.

MR. LINKY BELOW

Follow the 2022 schedule listed below:

Now, have fun and write some syllabic poetry!


#TankaTuesday #Poetry Stars No. 258 | #ThemePrompt: Memories-Sweet & Sour

Welcome to our weekly poetry stars’ celebration. This week’s challenge was to write our choice of syllabic poem, using the theme of memories: sweet & sour. As usual, we select a form from the cheat sheet or a syllabic form from the Poetscollective.org for our syllabic poetry.

👀 Check out the poetry contest on EveryWritersResource.com: The Only Love Haiku You’ll Ever Write Contest. (This is a perfect example of blurring the lines between senryu and haiku. The contest asks you to write haiku, but we all know we write about love using the senryu form). Enter your senryu poetry now! 👀

Many thanks to everyone who joined in below:

1.Reena Saxena6.Veera11.Selma
2.Jules7.Ken Gierke / rivrvlogr12.Ruth Klein
3.ben Alexander8.Annette Rochelle Aben13.theindieshe
4.Harmony Kent9.Yvette M Calleiro14.Colleen Chesebro
5.Gwen Plano10.anita dawes  

This theme is an easy theme to write about because we all have memories that are precious and some, well, not so much! The theme deals with human emotions, so if you were looking for a quick form, senryu would have been the perfect choice.

Check out Yvette M. Calleiro’s tanka, and Jules’ shadorma for some great examples on the theme.

Ken Gierke’s senryu series tugs your heart strings. There is so much emotion in this verse. The last senryu is so poignant!

life well lived
loved by all you touched
memories

final hours
darkness closes in
by your side

bittersweet
treasured last moments
emptiness

moving on
behind, beside you
without you

© Ken Gierke

This week, I’ve asked Ken to choose the prompt for next month’s challenge. Please email your words to me at least a week before the challenge to Colleen@wordcraftpoetry.com. Thanks.

See you tomorrow for the new challenge!

ReBLOG | lights slowly dimming ~ senryū | Rivrvlgr

Many thanks to everyone who participated in the weekly poetry challenge. You’re all amazing!

Ken Gierke, aka RIVRVLOGR, I’ve selected you to pick the theme for the March 2020 #ThemePrompt. Please email me at tankatuesdaypoetry@gmail.com before next month’s challenge. Have fun and be creative.

lights slowly dimming ~ senryū

lights slowly dimming
aging parent’s shallow breaths
new grandchild visits

©2020 Ken Gierke

Image source: artoflivingguide.org

See you tomorrow for the new challenge!

the permanence of henna ~ gogyohka | RIVRVLOGR

Source: the permanence of henna ~ gogyohka

Ken shares an amazing poem using a Gogyohka which is a five-line, untitled, Japanese poetic form. Unlike tanka (5/7/5/7/7 syllables), Gogyohka has no restrictions on length. (Wikipedia.org)

Here are the rules for this poem from Wikipedia.com:

Five rules of Gogyohka by Enta Kusakabe (1983)

  • Gogyohka is a new form of short poem that is based on the ancient Japanese Tanka and Kodai kayo.
  • Gogyohka has five lines but exceptionally may have four or six.
  • Each line of Gogyohka consists of one phrase with a line-break after each phrase or breath.
  • Gogyohka has no restraint on numbers of words or syllables.
  • The theme of Gogyohka is unrestricted.

the permanence of henna

the direction
of our inclinations
holds no pattern
carefree, the actions we take
the permanence of henna

©2020 Ken Gierke

I like this form. It’s unencumbered with few restrictions other than writing phrases in each line. It’s super creative!

Let me know in the comments if you would like to see this form added to our ever-growing list of accepted syllabic poetry forms.