Welcome to Your Poetry Writing Happy Place!
Word Craft Poetry is an uplifting community where poets can learn the basics of writing Japanese and American syllabic poetry by sharing their own poetic inspiration within a weekly poetry challenge called #TankaTuesday.
Participants submit their poetry written in one of these forms: haiku, senryū, haiga, tanka, gogyohka, haibun, tanka prose, renga, solo renga, chōka, Crapsey cinquain, American cinquain and its variations, Etheree and its variations, nonet and its variations, shadorma, Badger’s hexastich, and Abhanga; or a syllabic form from the poetscollective.org. Poets receive positive feedback from peers who inspire each other to stretch their creativity.
The Crapsey Cinquain & The American Cinquain
I’m here with another thorough analysis of a syllabic form: the cinquain. Adelaide Crapsey didn’t give us any specific rules for her version of the cinquain. Instead, poetic scholars examined her cinquain poems and her writings to discover the magic behind the form. ⭐️ The Crapsey cinquain follows accentual and syllabic patterns by relying heavily…… Read more
#TankaTuesday Weekly #Poetry Challenge No. 306, 2/7/23
WELCOME TO #TANKATUESDAY! 短歌 火曜日 Sorry! I’ve had some computer issues… Here is this week’s challenge! 🌹 In case you missed last week’s poetry, here are the poet’s links from the 1/31/23 random words challenge: 1. ben Alexander 9. Colleen Chesebro 17. Kerfe 2. Reena Saxena 10. Paula Light 18. Mark Bozeman 3. willowdot21 11.…… Read more
#TankaTuesday Weekly Poetry Challenge No. 305, 1/31/23
WELCOME TO #TANKATUESDAY! 短歌 火曜日 In case you missed last week’s poetry, here are the poet’s links from the 1/24/23 Ekphrastic challenge: 1. Reena Saxena 9. willowdot21 17. D. Wallace Peach 2. ladyleemanila 10. AJ 18. Jules 3. s. s. 11. Kerfe 19. Colleen Chesebro 4. Dr B 12. D. L. Finn 20. Yvette M Calleiro …… Read more
Since I left Twitter the end of last year, I’d like to continue sharing your poetry on Facebook. If this is something you do not want me to do, please let me know in the comments. I’ve created a Facebook page and private group for Word Craft Poetry. It there is enough interest, I’ll keep…… Read more
Meet the Poet – January 2023: Ken Gierke
Welcome to Meet the Poet, a Word Craft Poetry feature written to introduce you to the poets in our writing community. What a great way to get to know more about our poets and their work. Many of our poets are also authors, teachers, chefs, accountants, and some are artists crafting their magic through watercolors or…… Read more
I bet. I just saw your post on FB. Keep resting. Jet lag is so wicked. 💖
I am! 💕🤪❤️
Yay! I bet you’re exhausted. 😴💜
[…] Colleen’s challaenge: “This week, share the view outside your window by writing a poem in syllabic form. If you…
It’s true for sure. The circle of our blogosphere.
What people are saying about the book: Word Craft: Prose & Poetry
5.0 out of 5 stars Highly Recommended for the Poet in Everyone! Reviewed in the United States 🇺🇸
“I have Colleen Chesebro’s weekly poetry challenge “Tanka Tuesday” to thank for inspiring me to try writing syllabic poetry for the first time. That initial inspiration resulted in a tanka, which was followed by another, then another, finally becoming my first poetry collection.
Chesebro’s poetry craft book works in a similar fashion. Word Craft first acknowledges and encourages the creative potential in each of us, which I would consider the book’s main premise. We all have the inspiration for poetry inside us; we just need to help that inspiration find its most appropriate form of expression.
Given this premise, it makes sense to begin with syllabic poetry–and so be able to choose a structured form well-suited to what we want to express. For example, have we been struck by the way the winter sky looks when a cold front is approaching? Haiku can capture and hold this observation. Are we bemused by a particular human foible? This observation would be better suited to senryu. And so on, through a wide range of nonrhyming syllabic forms.
The book is well-structured and organized. Each section defines a form of Japanese syllabic poetry and its American counterpart(s), including a brief history of how they evolved. (Credible sources have been consulted and cited for this information.) Next is an explanation of how to write the form, including general subject matter, syllable count, and number of lines. Finally, there are numerous examples of each form written by a range of poets, including Chesebro.
What I most appreciated about Word Craft is that it shines light on syllabic poetry from a number of different angles–any one of which could serve as the reader’s inspiration for a new poem!”
Selma in Japan
5.0 out of 5 stars A lovely resource that enhances creativity and just might surprise you. Reviewed in Japan 🇯🇵
“When we create poetry, we become better writers,” writes Colleen Chesebro in her book, Word Craft: Prose & Poetry, The Art of Crafting Syllabic Poetry. Being a writer myself, there’s nothing more I want than to become better. But I have a tendency to overwrite. And so this year, I decided to explore the notion of brevity; to say more with less, tighter. Lucky for me I happened upon this amazing poet’s community that congregated at Ms.Chesebro’s weekly poetry cove: “Tanka Tuesday,” and started slowly to see how Syllabic poetry could indeed add so much to my desire to improve my craft. And now, thanks to this new mindset, I feel my verbs and grammar have seen a boost in the brevity of words.
I first “heard” someone praise this book in a comment and readily bought the digital book in March and having browsed through the book, I decided to enter my first ever NaPoWriMo in April. Yes, my people, it was this book that gave me the incentive to even consider doing something like that! An accidental poet and I’ll have you know that I was the proudest I’ve ever been. And we’re talking poetry!
Long story short, in September I purchased the paperback copy of the same book so that now, as the proud owner of the physical words of Ms. Chesebro, I feel her generous encouragement every time I touch the book.
The book begins with an introduction to how Colleen’s journey began – her poetry community, and goes on to discuss definitions of meter, syllable, and stresses, and the hard work required to find your creative soul. She suggests ways to encourage creativity, talks about figurative language and gives tips for finding inspiration too. Author Colleen Chesebro’s generous heart and kind soul shine in the book. This is a fabulous book, one that Author Colleen Chesebro should be very proud of. I know I’m proud to see her book on my shelf and consult it every time I need to count syllables.
In my dreams — it must be because I really thought I already reviewed this book– I already told you about this book. (either that or my review wasn’t approved by the big guys). I highly recommend this book as a perfect resource for writing with brevity: A sure winner. 5-stars. Satisfied customer, Selma Martin.
The Word Witch