COLLEEN’S 2020 WEEKLY #TANKA TUESDAY #POETRY CHALLENGE NO. 197, #SPECIFICFORM: Tanka

Colleen M. Chesebro29 Sep 202029 Oct 2020Tanka Tuesday Poetry Challenges#SpecificForm, 2020 Weekly Poetry Challenges, Colleen's 2020 Weekly Poetry Challenges, How to Write a Tanka Poem, Japanese poetry forms, pivot in tanka defined, tanka, Tanka poetry defined

WELCOME TO TANKA TUESDAY!

It’s the fifth Tuesday of the month! This is our chance to work with a specific syllabic poetry form. So, take this opportunity to learn more about the particular form. You can use any subject, theme, or words to convey your message.

This week’s form is:

TANKA

Here’s a quick review of the tanka form:

TANKA IN ENGLISH: 5/7/5/7/7 or the s/l/s/l/l/ syllable structure. Your Tanka will comprise 5 lines written in the first-person point of view from the perspective of the poet.

When writing a Tanka, we consider the third line your “pivot,” but feel free to let it happen anywhere, or to exclude it. It is not mandatory. If you use a pivot, the meaning should apply to the first two lines, and the last two lines of your Tanka. Remember, we can read great tanka poems both forward and backward.

Your tanka should be filled with poetic passion, including vivid imagery to make up both parts of the poem. The first three lines of the poem consist of one part and should convey a specific theme. The third line of your poem is the often where the pivot occurs, although it can happen anywhere. The pivot gives direction to your poem, whose meaning should apply to the first two lines of your poem, and the last two lines so that your tanka can be read forward and backward.
The last two lines of your tanka are where the metaphor (where the poet compare two concepts without the words: like or as), simile (where the poet compares two concepts with words: like or as) or where a comparison occurs to complement the first three lines of your poetry. Use words you are comfortable with from everyday speech. Avoid ending your lines with articles and prepositions.
Make use of your five senses. Don’t describe your theme. Instead, use adjectives, or exclamations of sound, taste, and smell, along with hearing and sight to make your tanka powerful.
Tanka are untitled (but for this challenge we title them to keep track of our poems on our blog) and should be written in natural language using sentence fragments and phrases, not sentences.
While many poets will adhere to the 5/7/5/7/7 structure, there is no rule that says this is written in stone. Remember, tanka poetry is looser in structure than Haiku. Let your creativity guide you. Follow the short/long/short/long/long rhythmic count instead of counting the syllables in the traditional fashion.
Tanka poetry does not require punctuation. You don’t have to use capitals at the beginning of each line, nor do you need to add a period at the end.
A double tanka is two poems. Three or more tanka poems are a sequence. They are usually linked by a common theme.

Example: 5/7/5/7/7

Autumn gusts signal
an advance in the seasons
change perfumes the air
as if driving acceptance
of the things I cannot change

Notice the first three lines below. We know Autumn gusts signal a change in the seasons.

Autumn gusts signal
an advance in the seasons
change perfumes the air

The PIVOT is: “change perfumes the air.”

Now, take the third line (my pivot) and add the last two lines to the poem:

change perfumes the air
as if driving acceptance
of the things I cannot change

Notice how the last three lines (including the pivot) have a secondary meaning to the first three lines? I also use a simile (as if) which is a figure of speech in which we explicitly compare two unlike things: I compared the smell of change and driving acceptance…, in this example.

*When you write your tanka, split it apart like this and see if both parts make sense. There should be two meanings to your poem when you’re all finished.

Good tanka poems take practice. Keep writing and read how the Japanese masters wrote tanka:

What is Japanese Tanka poetry: forms and examples by famous poems

PLEASE support the other poets by visiting blogs and leaving comments. Peer reviews help poets perfect their writing craft. Remember… sharing is caring.

Here are some impressive sites that will help you write your poetry and count syllables

synonyms.com

This site even has a link so you can install the extension on Google Chrome.

thesaurus.com

For Synonyms and Antonyms. When your word has too many syllables, find one that works.

writerlywords.com/syllables/

A simple yet powerful syllable counter for poems and text which will count the total number of syllables and the number of syllables per line for poems like haikus, limericks, and more. This site does the hard work for you.

**THE NEW RULES**

Write a poem using a form of your choice: haiku, senryu, haiga, tanka, gogyohka, haibun, tanka prose, renga, solo-renga, cinquain, and its variations, Etheree, nonet, and shadorma.
Post it on your blog.
Include a link back to the challenge in your post. (copy the URL: https:// address of this post into your post).
Copy your link into the Mr. Linky below (underlined with a hyperlink). You might have to delete your previous entry.
Please click the small checkbox on Mr. Linky about data protection.
Read and comment on some of your fellow poets’ work.
Like and leave a comment below if you choose to do so.

The screenshot below shows what Mr. Linky looks like inside. Add your name, and the URL of your post. Click the box about the privacy policy (It’s blue). As everyone adds their links to Mr. Linky, you can view the other submissions by clicking on the Mr. Linky link on the challenge post. All the links will show in the order of posting.

Follow the schedule listed below:

I will visit your blog, comment, and TWEET your POETRY.

If you add these hashtags to the post TITLE on your blog (depending on which poetry form you use) your poetry may be viewed more often on Twitter:

#Haiku, #Senryu, #Haiga, #Gogyohka, #Tanka, #TankaProse, #micropoetry, #poetry, #5lines, #Haibun, #Prose, #Renga, #SoloRenga, #CinquainPoetry, #Etheree, #Nonet, #Shadorma

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Now, have fun and write some poetry!

Published by Colleen M. Chesebro

An avid reader, Colleen M. Chesebro rekindled her love of writing poetry after years spent working in the accounting industry. These days, she loves crafting syllabic poetry, flash fiction, and creative fiction and nonfiction. In addition to poetry books, Chesebro’s publishing career includes participation in various anthologies featuring short stories, flash fiction, and poetry. She’s an avid supporter of her writing community on Word Craft Poetry.com by organizing and sponsoring a weekly syllabic poetry challenge, called #TankaTuesday, where participants experiment with traditional and current forms of Japanese and American syllabic poetry. Chesebro is an assistant editor of The Congress of the Rough Writers Flash Fiction Anthology & Gitty Up Press, a micro-press founded by Charli Mills and Carrot Ranch. In January 2022, Colleen founded Unicorn Cats Publishing Services to assist poets and authors in creating eBooks and print books for publication. In addition, she creates affordable book covers for Kindle and print books. Chesebro lives in the house of her dreams in mid-Michigan surrounded by the Great Lakes with her husband and two (unicorn) cats, Chloe & Sophie. View more posts