COLLEEN’S 2020 WEEKLY #TANKA TUESDAY #POETRY CHALLENGE NO. 197, #SPECIFICFORM: Tanka

Posted on September 29, 2020 by

67 Comments

WELCOME TO TANKA TUESDAY!

It’s the fifth Tuesday of the month! This is our chance to work with a specific syllabic poetry form. So, take this opportunity to learn more about the particular form. You can use any subject, theme, or words to convey your message.

This week’s form is:

TANKA

Here’s a quick review of the tanka form:

TANKA IN ENGLISH: 5/7/5/7/7 or the s/l/s/l/l/ syllable structure. Your Tanka will comprise 5 lines written in the first-person point of view from the perspective of the poet.

When writing a Tanka, we consider the third line your “pivot,” but feel free to let it happen anywhere, or to exclude it. It is not mandatory. If you use a pivot, the meaning should apply to the first two lines, and the last two lines of your Tanka. Remember, we can read great tanka poems both forward and backward.  

  • Your tanka should be filled with poetic passion, including vivid imagery to make up both parts of the poem. The first three lines of the poem consist of one part and should convey a specific theme. The third line of your poem is the often where the pivot occurs, although it can happen anywhere. The pivot gives direction to your poem, whose meaning should apply to the first two lines of your poem, and the last two lines so that your tanka can be read forward and backward.
  • The last two lines of your tanka are where the metaphor (where the poet compare two concepts without the words: like or as), simile (where the poet compares two concepts with words: like or as) or where a comparison occurs to complement the first three lines of your poetry. Use words you are comfortable with from everyday speech. Avoid ending your lines with articles and prepositions.
  • Make use of your five senses. Don’t describe your theme. Instead, use adjectives, or exclamations of sound, taste, and smell, along with hearing and sight to make your tanka powerful.
  • Tanka are untitled (but for this challenge we title them to keep track of our poems on our blog) and should be written in natural language using sentence fragments and phrases, not sentences.
  • While many poets will adhere to the 5/7/5/7/7 structure, there is no rule that says this is written in stone. Remember, tanka poetry is looser in structure than Haiku. Let your creativity guide you. Follow the short/long/short/long/long rhythmic count instead of counting the syllables in the traditional fashion.
  • Tanka poetry does not require punctuation. You don’t have to use capitals at the beginning of each line, nor do you need to add a period at the end.
  • A double tanka is two poems. Three or more tanka poems are a sequence. They are usually linked by a common theme.

Example: 5/7/5/7/7

Autumn gusts signal
an advance in the seasons
change perfumes the air
as if driving acceptance
of the things I cannot change

Notice the first three lines below. We know Autumn gusts signal a change in the seasons. 

Autumn gusts signal
an advance in the seasons
change perfumes the air

The PIVOT is: “change perfumes the air.”

Now, take the third line (my pivot) and add the last two lines to the poem:

change perfumes the air
as if driving acceptance
of the things I cannot change

Notice how the last three lines (including the pivot) have a secondary meaning to the first three lines? I also use a simile (as if) which is a figure of speech in which we explicitly compare two unlike things: I compared the smell of change and driving acceptance…, in this example.

*When you write your tanka, split it apart like this and see if both parts make sense. There should be two meanings to your poem when you’re all finished.

Good tanka poems take practice. Keep writing and read how the Japanese masters wrote tanka:

What is Japanese Tanka poetry: forms and examples by famous poems

PLEASE support the other poets by visiting blogs and leaving comments. Peer reviews help poets perfect their writing craft. Remember… sharing is caring.

Here are some impressive sites that will help you write your poetry and count syllables

synonyms.com 

This site even has a link so you can install the extension on Google Chrome.

thesaurus.com

For Synonyms and Antonyms. When your word has too many syllables, find one that works.

writerlywords.com/syllables/

A simple yet powerful syllable counter for poems and text which will count the total number of syllables and the number of syllables per line for poems like haikus, limericks, and more. This site does the hard work for you.

I don't get it

THE *NEW* RULES

  • Write a poem using a form of your choice: haiku, senryu, haiga, tanka, gogyohka, haibun, tanka prose, renga, solo-renga, cinquain, and its variations, Etheree, nonet, and shadorma.
  • Post it on your blog.
  • Include a link back to the challenge in your post. (copy the URL: https:// address of this post into your post).
  • Copy your link into the Mr. Linky below (underlined with a hyperlink). You might have to delete your previous entry.
  • Please click the small checkbox on Mr. Linky about data protection.
  • Read and comment on some of your fellow poets’ work.
  • Like and leave a comment below if you choose to do so.

The screenshot below shows what Mr. Linky looks like inside. Add your name, and the URL of your post. Click the box about the privacy policy (It’s blue). As everyone adds their links to Mr. Linky, you can view the other submissions by clicking on the Mr. Linky link on the challenge post. All the links will show in the order of posting.

Follow the schedule listed below:

Don't forget

I will visit your blog, comment, and TWEET your POETRY. 

If you add these hashtags to the post TITLE on your blog (depending on which poetry form you use) your poetry may be viewed more often on Twitter:

#Haiku, #Senryu, #Haiga, #Gogyohka, #Tanka, #TankaProse, #micropoetry, #poetry, #5lines, #Haibun, #Prose, #Renga, #SoloRenga, #CinquainPoetry, #Etheree, #Nonet, #Shadorma

By clicking submit, you agree to share your email address with Word Craft ~ Prose & Poetry to receive a weekly blog recap of posts, marketing, updates, and other emails from colleenchesebro.com. It really is the best way to never miss another poetry challenge post again! Use the unsubscribe link in those emails to opt-out.

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Now, have fun and write some poetry!


Category: Tanka Tuesday Poetry ChallengesTags: , , , , , , ,

67 Comments on “COLLEEN’S 2020 WEEKLY #TANKA TUESDAY #POETRY CHALLENGE NO. 197, #SPECIFICFORM: Tanka”

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Colleen M. Chesebro: Prose-Metrist, Novelist, & Word Witch
Colleen M. Chesebro

Colleen M. Chesebro

Colleen M. Chesebro is an American Poet who loves crafting paranormal fantasy and magical realism, cross-genre flash fiction, syllabic poetry, and creative nonfiction. Colleen sponsors a weekly syllabic poetry challenge, called Tanka Tuesday, on wordcraftpoetry.com where participants learn how to write traditional and current forms of haiku, senryu, haiga, tanka, gogyohka, tanka prose, renga, solo-renga, haibun, cinquain, Etheree, nonet, and shadorma poetry. Colleen's syllabic poetry has appeared in the Auroras & Blossoms Poetry Journal, and in “Hedgerow, a journal of small poems.” She’s won numerous awards from participating in the Carrot Ranch Rodeo, a yearly flash fiction contest sponsored by carrotranch.com. In 2020, she won first place in the Carrot Ranch Folk Tale or Fable category, with her story called “Why Wolf Howls at the Moon.” Colleen is a Sister of the Fey, where she pursues a pagan path through her writing. When she is not writing, she is reading. She also loves gardening and crocheting old-fashioned doilies into works of art.

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