Welcome to the Tanka Tuesday Poetry Recap featuring the Poet of the Week and the honorable mention poetry that spoke to me. If you would like to participate in this challenge, you can learn the rules in the menu item called Colleen’s Weekly Tanka Tuesday Guidelines.
This is the perfect time to thank each of you for your participation in this challenge. Whoever thought we would have so much fun writing syllabic poetry? I’m grateful for your friendship and for sharing my love of poetry! Happy Thanksgiving.
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Congratulations, and many thanks to all the participants! I loved all your hard work this week! The photo prompt speaks differently to each of us and I enjoy seeing what you come up with.
After you’ve posted your poem on your blog, please copy your poem in the comments section of the challenge post. This way, we can find all the poetry in one place.
Please visit the challenge post comments HERE, where you’ll find the links to everyone’s poetry. If you can, please visit the poet’s blogs.
I will publish the Poet of the Week and Honorable Mention Poets in the 2019 Poet of the Week Anthology, which everyone can grab as a FREE PDF in January 2020.
Each week, I like to highlight a poet who I call the Poet of the Week who has shared an exceptional message or shown impassioned creativity through words or form. Poetry is all about perception. You may not feel the same way about my choice. That’s okay. Perception is different for all of us.
I had a hard time choosing only one or two poems. You’ve all gotten so darn good! So, here goes… This week, I’ve chosen Merril D. Smith, as the Poet of the Week.
You’re it, Merril Smith! You get to select the photo for the January 2020 photo prompt! Please email me with your selection at least a week before the middle of the month challenge. Thanks.
There’s nothing wrong with describing what you see in the image when you write your poetry… but, it’s often what is not seen that proves to be the most interesting. Think about how the image conveys a theme to you. Poetry’s focus on language and form should elicit critical thought, reflection, or emotion.
Merril’s Shadorma trio sequence steps away from a totally literal interpretation. To her, the birds represent “the black-winged dreamers carrying all the befores and afters.” I like how open-ended that phrase is. There’s a magical quality to her words.
The sequence of threes is a favorite of mine because it allows the poet a beginning, a middle, and an ending for their poem.
with a bang
comes the birth of worlds
and star songs
to papaya glow, rising
over barren rocks
above burnished crags
carrying all the befores
and all the afters
where light and shadows
Sue Vincent gets an honorable mention this week for her double Etheree. There is such great wordplay, here: “Of Light – Into Light,” “Being becoming,” and “A multiverse in human form…” Her words read like a prayer celebrating life. Also, notice which words she capitalizes. That technique adds another layer of meaning.
An Etheree is unrhymed but should display rhythm, meaning, imagery, and sometimes an underlying second meaning.
Opened to greet the dawn
Each heart a virgin landscape
Enduring and embracing life
Knowing the freedom of pure spirit
Assimilating the gifts of constraint
Each soul a mirror reflecting its Self
Garnering the fruits of existence
A multiverse in human form
Chiselled by experience
Sharing a pilgrimage
Enriches the Source
From light to Light
See you tomorrow for the new challenge post. I promise it will be something special!