WELCOME TO TANKA TUESDAY!
Hi! I’m glad to see you here. Are you ready to write some poetry?
HERE’S THE CATCH: You can’t use the prompt words! SYNONYMS ONLY!
I hope you will support the other poets with visits to blogs and by leaving comments. Sharing each other’s work on social media is always nice too.
HAPPY MAY DAY!
Image Credit: Kid’s Quest Children’s Museum.org
When I was a child growing up in Milwaukee, Wisconsin, May Day was a big deal. I’m sure it had to do with my Slavic roots. I remember decorating baskets with flowers and visiting the neighbors for handouts of baked goods and fruit. I remember we always had a Maypole outside of my elementary school.
May Day is usually celebrated on May 1st, but in the U. S. it is celebrated on May 7th. I hope you will find inspiration from this pagan holiday in your poetry. I chose the words singing and celebrate for you to choose synonyms from. Have fun!
The roots of the holiday and the traditions are explained by Wikipedia below:
“Traditional English May Day rites and celebrations include crowning a May Queen and celebrations involving a maypole. Historically, Morris dancing has been linked to May Day celebrations. Much of this tradition derives from the pagan Anglo-Saxon customs held during “Þrimilci-mōnaþ“ (the Old English name for the month of May meaning Month of Three Milkings) along with many Celtic traditions.”
Opportunities for Poets
Dime Show Review publishes fiction, flash fiction, ten-word stories, poetry, and essays, both online and in print. They are looking for literature that suspends doubt, writing that appears of its own accord and tells secrets we never suspected but always knew.
Dime Show Review is published three times a year in print, and online on a rolling basis. They accept submissions from February 1 through November 1 each year, and they respond to most submissions within two to twelve weeks. Authors who don’t receive a response within three months are welcome to query.
Authors of fiction may submit one complete story, 3,000 words or fewer. Authors of flash fiction may submit one story, 1,000 words or fewer. Dime Show Review also publishes ten-word stories. Authors may submit up to two of these, and they should be complete stories, exactly ten words each. Poets may submit up to two poems in any form, no longer than two pages each. Authors of nonfiction may submit one essay, 3,000 words or fewer. Submitting authors can read selections from Dime Show Review online to get a sense of their style.
Launched in 2005, Mookychick—an online publisher of fiction, poetry, nonfiction, and reviews—has evolved into a community forum for just about everything. Eclectic and inclusive, they aim to connect like minds of all varieties. From fashion to faith and everything beyond, upside-down, and in-between—Mookychick wants to know about it. The best way to get a sense of what they like is to read the magazine online.
Mookychick is published frequently, and since 2005 they’ve showcased over 600 regular contributors. Although they don’t pay authors, they promote poets and writers by publishing author profiles and sharing their work with a broad readership.
Authors of fiction may submit short stories up to 2,000 words in length. Mookychick also likes to publish flash fiction up to 500 words, and 50-word stories that are exactly 50 words (not including the title). Poets are also welcome to submit.
Mookychick publishes a wide variety of nonfiction. They like articles on personal matters of all types, articles on self-care, opinion pieces, and interviews. They also publish reviews of books, comics, games, music, and events. They usually prefer pieces that are at least 350 words in length, but they also publish photo essays with fewer words. They don’t impose a maximum word count because they want authors to write until they’re finished.
All submissions should include a third-person bio, and authors can choose to include a personal link and photo if they want. Mookychick likes to build each author an individual profile page.
They accept submissions from all types of people and aim to promote marginalized voices as often as they can. They prefer pieces on marginalized perspectives to be written by people who embody those perspectives.
Mookychick accepts submissions via email, not online or by post. They don’t accept previously published work, even if it only appeared on a personal blog or social media.
If you would like to learn more or submit to Mookychick, please visit their website at mookychick.co.uk.
Radarpoetry.com welcomes unsolicited submissions of poems during our reading period of October 1 through June 30.
Please read the guidelines carefully as they have recently been updated.
Submit 3-5 original, previously unpublished poems in a single document. We read blind, so please ensure there is no identifying information on the document that contains your poems. You should include a cover letter and a brief bio in the comments box. We welcome translations as long as all necessary rights have been secured by the translator.
We accept simultaneous submissions and ask that you notify us right away if your work has been accepted elsewhere. For partial withdrawals, simply add a note to your entry on Submittable. We do not accept multiple submissions.
We respond to each submission within a month, and often much sooner than that. After 30 days have passed, feel free to query us. You can also report and track your submission through Duotrope. Unless you are specifically invited to send more work, please wait 6 months after before submitting again.
Former contributors should wait one calendar year after the publication of their poems before submitting again.
We secure first serial rights for poems we publish. Upon publication, all rights revert to the author. We are proud to nominate our contributors for major awards including the Pushcart Prize and Best of the Net. We ask that all contributors cite Radar Poetry should their poems be published elsewhere in the future.
We look forward to reading your work!
Thrushpoetryjournal.com – a journal of poetry that will appear 6 times a year. ( January, March, May, July, September, and November)
We believe in showcasing the best work we receive. We will present a select number of poems per edition.
Submissions are now open. We read submissions on a rolling basis. We are not a paying market.
Submit previously unpublished work only. If you are sending us work that appears on your website, blog, or a self-publishing site, please remove it prior to submitting to us. Send us no more than three poems, pasted in the body of an email, preceded by a cover letter. If your poem requires special formatting, you may then, and please only then, also include an attachment.
Please indicate “POETRY SUBMISSION” on your subject line. Submissions without “Poetry Submission” in the subject line will be deleted unread.
Include a bio (all bios are subject to editing). Also include a URL to your blog or website, if applicable. Simultaneous submissions are allowed, but not preferred. If your work is accepted elsewhere please inform us immediately.
We aim to respond to all submissions within 10 days of receipt (usually less). We will not respond (accept or decline) with a form letter and we will comment on poems whenever possible.
Please wait a minimum of six months between submissions
If your work is accepted at THRUSH, you agree to grant us First North American Serial Rights, all archival rights, plus the rights to reprint in any future anthologies. Upon publication, all rights revert back to the author. You agree that if your poem/s subsequently appears elsewhere (in print or online), you will give due credit to THRUSH.
Our taste is eclectic. We want poems that move us, a strong sense of imagery, emotion, with interesting and surprising use of language, words that resonate. We want fresh. We want voice.
Established and new poets are encouraged to submit. Experimental poetry is fine, randomness is fine also. However, we do not want experimental and random just for the sake of calling it such. No long poems. We prefer a poem that will fit on one page. We are not interested in inspirational poetry or philosophical musings.
Submissions that ignore these guidelines (or parts of these guidelines) will likely be declined immediately.
We nominate for most major prizes. See our Awards page
Our guidelines are subject to change. We suggest reviewing them prior to submitting.
Submissions and other correspondence should be sent to: email@example.com
Please note: We are all students of poetry. I have given you the instructions on how to write the different forms. Try your best to be as exact as you can. There are no tests, and I don’t grade your work. LOL!
The most meaningful change you will learn about is in writing a Haiku vs. a Senryu. Also, remember, pronunciation in various parts of the world will affect your syllable count. Go with your gut on deciding the syllable count. You are the poet and the creator of your work.
I sponsor this challenge to help budding poets learn how to write various forms of poetry. Remember, if you are sending your poetry for publication in literary journals, contests, or self-publishing, you should know the correct forms and use them.
For Colleen’s Weekly Poetry Challenge, you can write your poem in one of the forms defined below. Click on the links to learn about each form:
HAIKU IN ENGLISH 5/7/5 syllable structure. A Haiku is written about seasonal changes, nature, and change in general.
TANKA IN ENGLISH 5/7/5/7/7 syllable structure. Your Tanka will consist of five lines written in the first-person point of view. This is important because the poem should be written from the perspective of the poet.
HAIBUN IN ENGLISH Every Haibun must begin with a title. Haibun prose is composed of short, descriptive paragraphs, written in the first-person singular.
The text unfolds in the present moment, as though the experience is occurring now rather than yesterday or some time ago. In keeping with the simplicity of the accompanying haiku or tanka poem, all unnecessary words should be pared down or removed. Nothing must ever be overstated.
The poetry never tries to repeat, quote, or explain the prose. Instead, the poetry reflects some aspect of the prose by introducing a different step in the narrative through a microburst of detail. Thus, the poetry is a sort of juxtaposition – different yet somehow connected.
Image credit: Pinterest.com
(Currently, free-verse prose poems are NOT part of this challenge)
Here are some great sites that will help you write your poetry and count syllables
For Synonyms and Antonyms. When your word has too many syllables, find one that works.
Find out how many syllables each word has. I use this site for all my Haiku and Tanka poems. Click on the “Workshop” tab to create your Haiku or Tanka.
I will publish the Tuesday prompt post at 12: 03 A.M. Mountain Standard Time (Denver Time). That should give everyone time to see the prompt from around the world. The RECAP is published on Monday and will contain links to the participants.
WRITE YOUR POEM ON YOUR BLOG as a post.
How Long Do You Have and Your Deadline: You have a week to complete the Challenge with a deadline of SUNDAY, at 12:00 P.M. (Noon) Denver time, U. S. A. This will give me a chance to add the links from everyone’s poem post from the previous week, on the Recap I publish on Monday. I urge everyone to visit the blogs and comment on everyone’s poem.
The rules are simple.
I will give you two words. Choose synonyms from those words for your poetry. You, the poet, now have more control over the direction of your writing. Follow the rules carefully. Don’t use the prompt words.
LINK YOUR BLOG POST TO MINE WITH A PINGBACK. To do a Pingback: Copy the URL (the HTTPS:// address of my post) for the current week’s Challenge and paste it into your post. You may also place a copy of your URL of your post in the comments of the current week’s Challenge post.
Because of the time difference between where you are, and I am, you might not think your link is there. I manually approve all links. People taking part in the challenge may visit you and comment or “like” your post. I also need at least a Pingback or a link in the comments section to know you took part and to include you in the Weekly Recap published each Monday.
BE CREATIVE. Use your photos and create “Visual POETRY” if you wish, although it is not necessary. Use whatever program you want to make your images.
As time allows, I will visit your blog, comment, and TWEET your POETRY
If you add these hashtags to your post TITLE (depending on which poetry form you use) your poetry may be viewed more often:
#Haiku, #Tanka, #micropoetry, #poetry, #5lines, #Haibun, #Prose #Senryu, #CinquainPoetry
IF YOU DO NOT HAVE YOUR TWITTER ACCOUNT LINKED TO YOUR BLOG – I WILL NO LONGER TWEET YOUR POETRY… THERE IS NO SENSE SINCE YOUR TWEET BECOMES PART OF WORDPRESS.COM AND THERE IS NO ATTRIBUTION BACK TO YOU.
I have also been sharing your poetry on my Facebook Page here: https://www.facebook.com/CMChesebro/. Please feel free to FOLLOW, LIKE, & SHARE from my page. ❤
You may copy the badge I have created to go with the Weekly Poetry Challenge Post and place it in your post. It’s not mandatory:
Here are the TWO prompt words for this week’s challenge: SING & CELEBRATE
Have fun and write some poetry!