Happy POETRY Tuesday everyone!
Are you ready to get groovy with your poetry? Then, you’re in the right place! Pull up a chair, and let’s write some poetry. Alan Ginsberg is one of my favorite poets. He wrote about the beauty of life in raw and imperfect details.
You can write your poem in one of the three forms defined below:
HAIKU in English
You can do one poem or try to do one of each. It’s up to you – YOUR CHOICE. The instructions follow below:
HOW TO CREATE THE HAIKU in ENGLISH POETRY FORM
The haiku is a Japanese verse in three lines. Line one has 5 syllables, line 2 has 7 syllables, and line three has 5 syllables. Haiku is a mood poem, and it doesn’t use any metaphors or similes. 5/7/5.
“”Haiku” is a term sometimes loosely applied to any short, impressionistic poem, but there are certain characteristics that are commonly associated with the genre:
- a focus on some aspect of nature or the seasons
- division into two asymmetrical sections, usually with a cut at the end of the first or second section, creating a juxtaposition of two subjects (e.g. something large and something small, something natural and something human-made, two unexpectedly similar things, etc.)
- a contemplative or wistful tone and an impressionistic brevity
- elliptical “telegram style” syntax and no superfluous words
- imagery predominates over ideas and statements, so that meaning is typically suggestive, requiring reader participation
- avoidance of metaphor and similes
- non-rhyming lines
Some additional traits are especially associated with English-language haiku (as opposed to Japanese-language haiku):
- A three-line format with 17 syllables arranged in a 5–7–5 pattern;[a] or about 10 to 14 syllables, which more nearly approximates the duration of a Japanese haiku with the second line usually the longest. Some poets want their haiku to be expressed in one breath
- little or no punctuation or capitalization, except that cuts, are sometimes marked with dashes or ellipses, and proper nouns are usually capitalized.”
HOW TO CREATE THE TANKA POETRY FORM
Tanka poems are based on syllable structure much the same way a Haiku is written in the 5/7/5 format.
The Tanka form is easy to create: 5/7/5/7/7 and is a Haiku with two extra lines, of 7 syllables each consisting of five separate lines.
What makes a Tanka different from a Haiku is that the first three lines (5/7/5) are the upper phase. This upper stage is where you create an image in your reader’s mind.
The last two lines (7/7) of a Tanka poem are called the lower phase. Now here is where it gets interesting. The lower stage, the final two lines, should express the poet’s ideas about the image that was created in the three lines above.
Visit Jean Emrich at tankaonline.com Quick Start Guide
CLICK THE LINK TO SEE THE EXAMPLES and to learn how to write a Tanka poem
HOW TO CREATE THE HAIBUN POETRY FORM
NatureWriting.com shares how to write a Haibun poem. Please follow the rules carefully.
“The rules for constructing a haibun are simple.
- Every haibun must begin with a title.
- Haibun prose is composed of terse, descriptive paragraphs, written in the first person singular.
- The text unfolds in the present moment, as though the experience is occurring now rather than yesterday or some time ago. In keeping with the simplicity of the accompanying haiku or tanka poem, all excessive words should be pared down or deleted. Nothing must ever be overstated.
- The poetry never attempts to repeat, quote or explain the prose.
- Instead, the poetry reflects some aspect of the prose by introducing a different step in the narrative through a microburst of detail.
- Thus the poetry is a sort of juxtaposition – seemingly different yet somehow connected.
It is the discovery of this link between the prose and the poetry that offers one of the great delights of the haibun form. The subtle twist provided by an elegantly envisaged link, adds much pleasure to our reading and listening.
Some Common Forms of Modern Haibun
1. The basic unit of composition– one paragraph and one poem
We guide our canoe along the shores of beautiful Lake Esquagama. It is nine o’clock at night on this evening of the summer solstice. As the sun begins to dim the lake becomes still as glass. Along the shore, forests of birch are reflected in its mirrored surface, their ghostly white trunks disappearing into a green canopy. The only sound is a splash when our bow slices the water. We stop to rest the paddles across our knees, enjoying the peace. Small droplets from our wet blades create ever-widening circular pools. Moving on, closer to the fading shore, we savour these moments.
as a feather
on the breeze
the distant call
of a loon
2. The prose envelope – prose, then poem, then prose
Echoes of Autumn
I walk quietly in the late afternoon chill, birdsong silent, foliage deepened into shade, a rim of orange over darkening hills.
through soft mist
the repeated call
of one crow
Reaching the gate then crossing the threshold I breathe the scent of slow-cooking, the last embers of a fire, red wine poured into gleaming crystal, the table – set for two …
3. Poem then prose
(Rather than begin with a single tanka, I wrote a tanka set or sequence, followed by the prose. In contemporary haibun writing, the poems are occasionally presented in couplets or in longer groups).
The Road to Longreach
the coastal fringe
of green and blue
behind the gateway
to the outback
and cotton stubble
in the autumn sun
as hawks patrol above
faces to the sky
the last blaze of colour
in the dryland’s
of the rural strip
brick red, burnt ochre
of the open range
and further out –
in orange dust
a single cornstalk
displays its tassel
Days pass as we move through the desolate landscape, carved into two parts by the road we travel on, a continual ribbon drawing us straight ahead into its vanishing point, where only spinifex grass and saltbush lies between us and our destination.
4. The verse envelope — poem, prose, then poem
covers the window
Ice shapes resembling small fir trees stretch across the glass, while delicate snow flowers sparkle around them. Lost in its beauty, I move through this crystal garden as my warm fingers trace up and down, leaving a smudged pathway.
Mother’s voice interrupts, “Susan, come away from that cold window and get dressed or the school bus will leave without you!”
burning hoop pine
scent of a warm kitchen
oatmeal with brown sugar
5. Alternating prose and verse elements
I climb round and round close to the outside wall, to avoid the railing where the stair treads narrow about their central post. A semi-circular platform rests high above. Its glass windows provide a sweeping view. Counting the last few steps, I finally reach the top of the Moreton Bay Lighthouse, where I gaze in awe at the ocean below.
the rising sun
an endless pathway
of molten gold
Outside the lighthouse, lamp is rotating. I disengage it as there is no need for its warning light. Now the bold red and white stripes of the lighthouse itself will become the beacon. I study the turbulence of the deep waters churning the rocky shore below. The subtle changes in the wind, waves, and tides are entered in my log book – these brief markers of the ever-transforming seascape that surrounds me.
a foot print shelters
one tiny crab”
Here are some great sites that will help you write your poetry and count syllables.
For Synonyms and Antonyms. When your word has too many syllables, find one that works.
Find out how many syllables each word has. I use this site for all my Haiku and Tanka poems. Click on the “Poetry Workshop” tab to create your Haiku or Tanka.
I will publish the Tuesday prompt post at 12: 03 A.M. Mountain Standard Time (Denver
Time). That should give everyone time to see the prompt from around the world.
WRITE YOUR POEM ON YOUR BLOG as a post.
How Long Do You Have and Your Deadline: You have a week to complete the Challenge with a deadline of Monday at 12:00 P.M. (Noon) Denver time, U. S. A. This will give me a chance to add the links from everyone’s poem post from the previous week, on the new prompt I send out on Tuesday. I urge everyone to visit the blogs and comment on everyone’s poem.
The rules are simple.
I will give you two words that you need to use (in some form) in the writing of your poetry. This will be a challenge in writing your Haibun poem. Follow the rules carefully.
The two words can be used in any way you would like to use them. Words have different definitions, and you can use the definitions you like. Feel free to use synonyms for the words when the poetry form calls for it.
LINK YOUR BLOG POST TO MINE WITH A PINGBACK. To do a Pingback: Copy the URL (the HTTP:// address of my post) for the current week’s Challenge and paste it into your post. You may also place a copy of your URL of your post in the comments of the current week’s Challenge post.
Because of the time difference between where you are, and I am, you might not think your link is there. I manually approve all links. People participating in the challenge may visit you and comment or “like” your post. I also need at least a Pingback or a link in the comments section to know you took part and to include you in the Weekly Review section of the new prompt on Tuesday.
BE CREATIVE. Use your photos and create “Visual POETRY” if you wish, although it is not necessary. Use whatever program you want to make your images.
As time permits, I will visit your blog, comment, and TWEET your POETRY
If you add these hashtags to your post TITLE (depending on which poetry form you use) your poetry may be viewed more often:
#Haiku, #Tanka, #micropoetry, #poetry, #5lines, #Haibun, #Prose
If you haven’t set up your blog to share to Twitter, you should. CLICK HERE to learn how to link your blog to Twitter. It is an excellent way to meet other poets and share your work.
You may copy the badge I have created to go with the Weekly Poetry Challenge Post and place it in your post:
HERE’S WHO JOINED US LAST WEEK FOR OUR 28th POETRY CHALLENGE USING THE WORDS – LAUGH & CRY: (Please make sure to visit the other participants. We learn from each other. <3)
Colleen’s Weekly #Poetry Challenge # 27 – “Light & Dark”/Kyrosmagica (from last week – I left her off)
Read the fourth line! The description is excellent.
The Mask (a Tanka)
Laughing in public
Always a smile for the crowd
A mask perfected
Nobody will ever hear
the wailing in the deep night.
©2017 John W. Leys
Here are the two words for this week’s challenge: HARD & SOFT
(any forms of the words AND don’t forget to use synonyms)
There are many different meanings to these words. Have fun and experiment. If the prompt words don’t Inspire you… write a POEM based on the photo BELOW:
Image credit: Pixabay.com
POETRY TUESDAY! JOIN IN AND GET YOUR POETRY ON!
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